Research Paper Open Access
The Allure of South Asian Indian Indigenous Culture in Zayyan’s We Are All Birds of Uganda (2021)
Ifeoma Cassandra Nebeife
DOI: https://doi.org/10.21659/jsae/v1n2/v1n201| Pages 1-16 |First published: August 22, 2024
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Unveiling the Unspoken: A Critical Study of ‘Dhwani’ in Indian Aesthetics
Samira Sinha
DOI: https://doi.org/10.21659/jsae/v1n2/v1n202| Pages 1-8 |First published: August 22, 2024
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Cultural Stereotypes, Female Identity and Postcolonial India: Re-reading Anita Desai’s Voices in the City
Anindita Saha
DOI: https://doi.org/10.21659/jsae/v1n2/v1n203 | Pages 1-9 |First published: August 27, 2024
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Blinding the Male Gaze with Gaze: Exploring the Agency of Gaze in Amrita Sher-Gil’s Paintings as Statements Against Masculine Stereotypes
Ahmed Abdullah Bin Farooqi Rayhan
DOI: https://doi.org/10.21659/jsae/v1n2/v1n204| Pages 1-12 |First published: August 30, 2024
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A Ramayana of Her Own: Reading Chandrabati’s Ramayana through a Gendered Perspective
Bisweswar Chakraborty
DOI: https://doi.org/10.21659/jsae/v1n2/v1n205| Pages 1-10 |First published: November 23, 2024
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Representing Non-violence: The Corporal-Aesthetic Complex in the Poetic Philosophy of Lalla Ded
Jamiel Ahmad
DOI: https://doi.org/10.21659/jsae/v1n2/v1n206 | Pages 1-9 |First published: November 24, 2024
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Ecological Undercurrents: Exploring Nature and Environmental Motifs in M.F. Husain’s Art
Anjan Das
DOI: https://doi.org/10.21659/jsae/v1n2/v1n207| Pages 1-11 |First published: November 27, 2024
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Bhakti Movement in Tamil Nadu: A Study of Aesthetic Dimensions in the Divine Verses of Periyazhwar and Andal
R. Nappinnai
DOI: https://doi.org/10.21659/jsae/v1n2/v1n208| Pages 1-7 |First published: November 25, 2024
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The Concept of Memory in Kalidasa’s Abhijnanasakuntalam
Deepanjali Baruah
DOI: https://doi.org/10.21659/jsae/v1n2/v1n209 | Pages 1-10 |First published: November 25, 2024
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Celebrating Universality: A Comparative Study of British Romantic and Islamic Sufi Poetry
Kalyani Hazri
DOI: https://doi.org/10.21659/jsae/v1n2/v1n210| Pages 1-7 |First published: December 04, 2024
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The Pāla-Era Sūrya Sculptures at Cooch Behar Palace Museum: An Iconographic Analysis
Tathagata Sagar Pal
DOI: https://doi.org/10.21659/jsae/v1n2/v1n211| Pages 1-11 |First published: December 04, 2024
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A Community in Exile: A Critical Analysis of Siddhartha Gigoo’s The Garden of Solitude (2011)
Priyanka Thakur
DOI: https://doi.org/10.21659/jsae/v1n2/v1n212| Pages 1-12 |First published: December 10, 2024
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Beyond Realities: Exploring Metaphorical Connections between the concept of Metaverse and Advaita Philosophy
Kunal Barman
DOI: https://doi.org/10.21659/jsae/v1n2/v1n213| Pages 1-7 |First published: December 10, 2024
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Generic Convergence and Narrative Divergence: Horror and Hauntings in Amitav Ghosh’s The Calcutta Chromosome and Stephen King’s The Shining
Tamilmani. K.T.1, Sridheepika. V.S2
DOI: https://doi.org/10.21659/jsae/v1n2/v1n214| Pages 1-10 |First published: December 12, 2024
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Survival Amidst the Forest: Exploring Leopard Depiction in Mannan Tales
Veena R. Nair
DOI: https://doi.org/10.21659/jsae/v1n2/v1n215| Pages 1-10 |First published: December 15, 2024
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Alchemies of Nāths and Kānphaṭa Yogis: Ontology and Epistemology of Self
Jai Singh
DOI: https://doi.org/10.21659/jsae/v1n2/v1n221| Pages 1-8 |First published: December 30, 2024
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